All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound
works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of
Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae
Ur Bit on Resonance Extra.
It explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book
readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-
ridden inner city business district.
The background of ambient dread and government surveillance associated with the piece’s production is
pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and
analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William
Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female
binary nature of the recording itself.
works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of
Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae
Ur Bit on Resonance Extra.
It explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book
readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-
ridden inner city business district.
The background of ambient dread and government surveillance associated with the piece’s production is
pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and
analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William
Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female
binary nature of the recording itself.